This installation revolves around the Arab Spring of 2011, uniquely featuring steel etching plates in lieu of the prints themselves. The aim was to underscore the collateral damage of war through the utilisation of fragmented wood, all the while narrating a story via the etching plates. Each plate showcased varied designs and illustrations, capturing nuances of the civil wars that engulfed the region. Regrettably, only these images remain, as the original installation was part of an earlier college exhibition.
Etching Installation
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